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There are some potentially good gags here, but they're ruined by Larriva's abysmal sense of timing and the cheap animation. Coyote & Road Runner cartoons made by former Warner Bros animator Rudy Larriva in the mid-1960s after Warners closed their original cartoon studio.
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"The Larriva Eleven", a series of Wile E.The cel-shaded CGI they use isn't much better. Thailand's Happy2Doo Studio, which plagiarizes Disney and other films.The same exact short, rather unfitting musical riff looping in the background nonstop over and over does not help at all.It's as if Tommy Wiseau started his own dub company, only less awesome. What makes it particularly notorious, apart from its incomprehensible plot and laughable animation, is the voice acting, performed entirely by one or two voice actors bored out of their skulls and speaking with a ridiculous, impenetrable (presumably) Dutch accent.
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It's not easy to tell just by looking at it, but it's superficially based on an animated sequence from Bedknobs and Broomsticks. Most viewers will still agree that Animal Soccer World is quite possibly the most notorious of their films.Clearly the fact that he hung himself in the original novel wasn't enough for them. Watch in amazement as their version of The Hunchback of Notre Dame shows a heartless Esmeralda leaving Quasimodo to die in a dungeon. The writing for the films is about as terrible as the animation and voice acting.Why are there cowboys in the Pocahontas one? Seriously, just look at their film trailers. Their plagiarism is overshadowed by the films' animation, which is so colossally awful on every level that they make the Legend Of Zelda CD-i games look like a Studio Ghibli film by comparison. It features animated rip-offs of (mostly) Disney films such as One Hundred and One Dalmatians, Hercules, The Lion King, and Aladdin. Dingo Pictures is an animation studio tied to " super-budget" producer Phoenix Games (formerly Midas).(Though once it is listed, they can provide the detailed review.) There needs to be independent evidence, such as actual critics (emphasis on plural) for example, to list it. Important Note #2: It isn't a Horrible film or cartoon just because anyone from That Guy With The Glasses and/or any other Caustic Critic reviewed it. It has to fail to appeal even to that niche to qualify as this. Hard as it is to imagine at times, there is a market for all types of deviancy (no matter how small a niche it is). Important Note: Merely being offensive in its subject matter is not enough to justify a work as So Bad It's Horrible. After all, with off-model animation, unanswered questions, awful decisions by the higher-ups, and jokes that wouldn't make a three-year-old laugh, can you blame them for not remembering? However, there are some things even the Nostalgia Filter can't save. Maybe because cartoons are seen as entertainment for kids, some studios seem to think they can get away with releasing anything, no matter how poor the quality.